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DIY/Lo-Fi





"Haven't You Heard with Three Bones" July Residency Mondays at Scoot Inn

Now this is one we’ve posted before as part of a previous Artist of the Month Poll roundup, but now we’re givin’ local pychpoprock (mmmhmmm, smush them genres) act Three Bones its own damn post because they’ve got a neat lil July residency goin’ on at the Historic Scoot Inn that’s jammin’ along quite nicely. We’ve been quite into this pair (headed by Victoria de Benedicty and Dalt Jacob with Grant Johnson and Mike Stavitz as well) since they put what has been one of the year’s prime headspace occupyin’ tracks and eyeball a’pleasin’ vids out earlier this year with the strummmeriffic and oddly super satisfyin’ “Hold on to Ya” earlier this year. Goddamn psychedelic earworms y’all: in a genre that finds itself in the long-noodlin’ territory more often than not, it’s not somethin’ you really expect for a psych track to be a tight, clean piece of pop that gets right up between your brains and shakes its tail for a week or two, but damn if “Hold on to Ya” ain’t just that.

I think what really gets this track and vid movin’ is that it just feels legit as Texas barbeque; even when hammin’ it up all weird and creepylike for the camera (as Dalt does just freaky fuckin’ well), you get that unfakeable sense of authenticity that tells ya these are some good damn people just doin’ the damn thing thing in the way they damn well wanna do it, and they’re down if you’re down and cool if you ain’t. We think y’should be, and a trip out yonder to Scoot Inn will likely get you on the Three Bones wavelength quicker than a blonde dude in an all white get up can strum a guitar, which if you check the vid, is pretty fuckin’ fast.





Record Review: Hooky by Jacques Le Coque

I'm realizing that while I may often overlook it, CT is home to some damn fine music. Take, for example, Hooky, by Stamford's Jacques Le Coque. This record is well-balanced, rough, raw, fuzzy rock n' roll. Bouncing from Built to Spill-style tracks, to surf rock and straight-up punk, these guys are the perfect house-party band. Listening to their songs, I can practically feel an elbow to the ribs and a PBR being spilled on my shoes.

For more info about the band, check out their Facebook page.

-Dan McMahon (@dmcmhn)

 





Tearjerker- Perfect

Perfect by Tearjerker is a shoegaze-ish summer anthem. The beauty and melancholy of the track is evident in every aspect of the song. The circular synth line, floating up and down as the song moves along, combined with the myriad of slow, softly droning instruments all providing a bed that makes time feel like it isn’t moving at all. The spacy, distant vocals put the listener right into the middle of the whole thing, a walk down the beach into the sunset. With so many different little things happening, the song demands repeated listens, feeling just a little bit different with each playthrough. Raising the tension and volume just a hair for the ending, and coming to a relatively abrupt ending, is a fresh feeling on an ambient track. It builds and builds and builds through the whole song, a conversation of something deep and personal that builds until the truth is revealed, and ends on a high note. Every little bit of Perfect is necessary, and feels just that. Perfect. Look for Tearjerker to drop their new album, Stay Wild, July 17th. I certainly can’t wait to get my hands on it. - Cody Wright

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Teen Violence @ the Smiling Buddha

Teen Violence is a really cool power pop group from Kitchener. We got to hear them rockin the Painted Lady for NXNE. I fired up their latest tune "Misery, Let Me Go" and I know for a fact I'll be singin this greasy pop jingle in my head all day tomorrow. They have popiness like Chris Murphy Sloan songs with some of that garage Andrew Scott Sloan songs mixed in. It could really be from the 60s. I'm actually listening to it again back to back. On tour see them 7/8 @ the Smiling Buddha w/ Kiss Me Deadly.- Kris "Big City" Gies

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The Deli NYC's record of the month: Pop and Obachan

Dreaming has always been a prerogative of the young. But seeing the raising wave of dreamy NYC based bands, we start to wonder if dreaming becomes a necessity for those who choose to settle in that post-industrial wasteland that is "non affluent Brooklyn." Or maybe it's the other way around: would anobody who doesn't have a dream to nurture settle in a place like Bushwick? Whichever the answer, that gray urban ugliness is producing many colorful psychedelic flowers. One of them is Pop and Obachan, a duo that, in just over a year of existence, released two EPs that show a radical metamorphoses - one that veers towards dreaminess. Their debut EP 'Unfurl' was a modest, sparse and sleepy alt folk record featuring just voice, ukelele and acoustic guitar. Its melodies and chord progressions owe a lot to the roots of American music. But this year's 'Dream Soup' sees the band entirely transformed - and for the better. An enriched instrumentation - now featuring also drum machine, keyboards and electric guitar - supports, through inventive arrangements, some truly imaginative and personal dream-pop songwriting. The highlights are opener 'Holly' and 'Dry Land,' with their impressionistic sound, beautifully whimsical melodies, and perfectly balanced production. If this is what "non affluent Brooklyn" can do to a band in one year, there's definitely nothing wrong with it, no matter how expensive the rent is.

This band submitted their music for coverage here.

We added this song to The Deli's playlist of Best songs by emerging NYC artists - check it out!

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