x
the_deli_magazine

This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

Electronic





HEELE releases a sonic monsoon in new EP "Pathos"

The sonic monsoon that is HEELE has positioned project-founder Michael Henss on the lips of several local publications (now including yours truly). It should come as no surprise that the haunting prog rock that is displayed in HEELE’s debut record Pathos has garnished such attention, the music is far too energized to ignore. Pathos is a whirlwind of heavy electric guitar riffs and shell-shocking drums interrupted by brief eye-of-the-storm moments where acoustic strings shine. The music feels like a freeing of sorts for Henss who has played in several bands (Hellrazor, Ungifted, Dead Wives) over the years while working on this personal project since 2015, the music has bubbled beneath the surface long enough, and now it sees the light of day. As groups like The Mars Volta prepare to return, the experimental and progressive rock they have championed seems ready for another vanguard run, and artists like Henss have got a head start. “Losing It All” from Pathos is streaming below. - Rene Cobar





Hazel Bloom debuts decadently delicious EP "Space Between Words on a Page"

Boston's Hazel Bloom has created an alt-pop decadence too delicious not to indulge: once you get a taste of his EP Space Between Words on a Page you will be hooked. The richly-layered sonic confection of pop melodies is glazed with sweet R&B rhythms and topped with irresistibly syrupy synthesizer riffs. Bloom is taking the best of pop's current climate and adding whichever ingredients he sees fit to pay tribute to the recipe that makes the genre so addicting while still keeping it a signature serving of his own. The return of Madonna—for better or worse—revitalizes the genre and heats the spotlight on artists like Bloom, no matter to him though, as he has plenty of goods to bake still. "Lipstick Love" is streaming below. - Rene Cobar





Night Drive Illuminates Barracuda with New Wave Synths

  

While dance/electronica music usually isn’t at the top of my list when I’m browsing my next show, Barracuda is always an intimate space where you can have a good time. Across the street was Austin Terror Fest at Empire Control Room where a curious juxtaposition of sound blended when you were outside.

 

[Michael] Parallax went on first. In case you were wondering, Parallax is a scientific term about the displacement of lines. The show had lots of light work, like a miniature rave. On a surface level, Parallax's performance was fun, yet not musically something I’d sit at home and listen to. Several people there looked like they had wandered off 6th street and just wanted a spot to drink, the music being secondary. Many couples were huddled together on a date night. Michael told the audience to do a slow motion mosh pit, and that was amusing to watch. Some parts he unnaturally told the crowd to do things like pull out their phone lights and swing them around, or all do a certain dance. 

 

In contrast, Kae Astra made music that should accompany a night time dream or a guided meditation.The instrumental was similar to Beach House, and the high pitched, ethereal singing reminds me of Grimes. The backdrop changed as the musical atmosphere evolved, that aspect made the show more immersive. Her giant curly hair bobbed as she played her one woman show. Dream pop is a broad term but I would call her dream pop because of the light, airy atmosphere the music created. Overall, it was fun to close my eyes and listen to the music, but it didn’t draw the crowd in for a substantial amount of time. The eager “let’s get this over so I can see who I came for” energy was in the air. People going out to smoke, or having a conversation by the bar.

 

Ever since the show I have had Night Drive’s song “Anyone’s Ghost” stuck in my head. “Anyone’s Ghost” is the song that aired on KUTX and with 4.7k views putting it at their most popular song. If you’re a fan of strobe lights this is the show for you. Tastefully around the mic stand, drums, and synth stand were colored strobes that would periodically flash with the peak of the songs would go faster and faster. The band’s sound was similar to 80s new wave synth pop bands like Eurythmics, A Flock of Seagulls, New Order, or even Depeche Mode. It was the musical and emotional darkness of the songs that drew me to 80s new wave synth pop. So the familiar sound with a futuristic twist kept me and the audience engaged. The band draws inspiration from sci-fi cinematic landscapes and brings the visual of those landscapes into an audio sound. The audience gyrated like one giant mass wrapping around the singer as he stepped onto the ground to sing, immersed in the audience.

 

-Hillary Harris

|




Short To Ground "Cleanse"

Industrial duo Short to Ground recently released a new EP, “Cleanse”. The EP, their first in eight years, presents a nostalgic nod to the ’90’s Industrial sound complete with the dirty, club ready remixes.

This is the work of industry veterans Brian Twadell (Vocals, Programming) and Sean Czaja (Guitar, Keys, Programming).

|




Electronic

Time: 
09:00
Band name: 
Tim Kuhl
FULL Artist Facebook address (http://...): 
https://www.facebook.com/timkuhlmusic/
Venue name: 
Pete's Candy Store
Band email: 
|
|
|

- news for musician and music pros -

Loading...