x
Artist of the Month
the_deli_magazine
  • local channel
  • local charts
  • show listings
  • studios
  • submit
  • submit

 
deli cover

 

 

February 2015
The Harmaleighs
""Pretty Picture, Dirty Brush"
"
mp3

College pals  Haley Grant and  Kaylee Jasperson bonded over shared musical tastes as students at Belmont University, . They were both also familiar with the hardships possessing the voices of angels; it was inevitable that a musical project would come of the union. The Harmaleighs formed in 2013, and the two proceeded to develop their sound, learning how to filter their shared experiences through an Americana sieve, until every heartbreak and setback sounded as though it occurred decades ago somewhere in the Appalachians.

The Harmaleigh's debut album, "Pretty Picture, Dirty Brush" will be released February 3rd. It covers the gauntlet of relationships that a young adult can encounter: partners, friends, hometowns. It also showcases the pair as the crackerjack musicians that they are. The same razor-sharp tightness that makes bluegrass so satisfying to hear is present in the entire album. Everything rings out as clear as a bell, and nothing is overdone or unnecessary. The girls have a healthy respect for the traditional, and can whip out a down-home rhythm as easily as a teenaged missive on heartbreak.  

Speaking of teenaged missives, a delicate balance is at work here. There are moments that the pair hit Watson Twin-levels of harmonies (like the ghostly intro of opening track "Hesitate") and there are times they turn right around with something more juvenille like "Got fired for dropping a glass of wine/ screw it I'm running out of time," in their recent single, "I Keep Ticking On." There's alot that can go wrong: their music acoustic guitar driven, with some lap steel and banjo thrown in, and they have a propensity to break into foot-stomping jags that recall the receding arena-folk wave. But it doesn’t matter. They’re so good, by grace of their conviction and clarity, that I’d probably be sucking this album down and singing along even if I were a 50-year-old truck driver.

That's the appeal of "Pretty Picture..." The album concentrates being young and new into something potent and delivers it with a little bit of sass; that's a combination capable of crossing quite a few boundaries. It's the emotional equivalent of four seasons of summer camp, thirty friendship bracelets, or ten viewings of "Milo and Otis." This album is bound to strike a chord within the most jaded of bastards. Keep up with The Harmaleighs at their website www.theharmaleighs.com


This is a preview of the new Deli charts - we are working on finalizing them by the end of 2013.


Go to the old Top 300 charts

Cancel

scene blog

portland

Photo Recap: Treefort Music Festival

Treefort Music Fest 2015 was an absolute whirlwind. In their biggest and unarguably most successful year yet, the festival had non-stop fantastic musical curation throughout the entire long weekend. Waking up each morning with a gnarly hangover, the only admirable thing to do was to pop into Big City Coffee for a heartstopping breakfast burrito and a few cups of coffee while checking out the festival schedule to figure out your show and drinking route for the day, then, hit the ground running. Check out our photo recap, including shots of Viet Cong, Foxygen, Built To Spill, Yahct, And And And, Aan, The Domestics, Bed., Wooden Indial Burrial Ground, Grandparents and more. Photos by Drew Bandy, Adam Smith, Jessica Pierson and Grahame Bywater.


Album Review: The Family Almanac's Eponymous EP

The Family Almanac’s self-titled EP, out earlier this month, starts as it promises: “Dream I’m In” is like a sleepy sequence from a foggy Sunday, or a pleasant hangover morning in the Gorge. Vocalist and keyboardist Elizabeth Pixley-Fink gentle voice delights in the mood. The EP carries us to sleep, or to the edge of it; that is a place where the band’s music might do instead of sleep.

The slow, soporific mood carries on through the short EP. The first half of the record, including a stuttering jam by the band’s other vocalist Blake Mason, sound like the warm and sultry tunes of ‘70s harmonizers like Steely Dan and the sonic landscapes of Fleetwood Mac. 

The fourth song on the EP is “White Sugar”, a slow, bluesy ballad with doo-wop echoes in the background. The song builds to a beautiful chorus, about as loud as the band ever gets. But the sleepy tone is back for “Susie”. If the skin started to cook with “White Sugar”, here it is enjoying the shade once again on a hot day. 

The last track is another by Family Almanac’s male vocalist. “So It Goes” is a bouncier track than the rest, played with as much urgency as the band musters on this EP. 

Recently I had the pleasure to see the Family Almanac play a house show (the perfect venue for their lighthearted soft rock anthems) and found a lot to be excited about. With its talented members, Family Almanac has plenty of leverage to evolve in the future. I only hope they will release a longer album soon for those lazy Spring mornings when their sounds can start the spinning of my mind with ease.

- Eric Togethoff

|

Live Sunday: Cool Ghouls, Mope Grooves and Dogheart at The Know

Hailing from San Francisco are the Cool Ghouls.  Their salty guitar riffs reek of the Pacific Ocean and their harmonies will lull you like the waves of the bay.  In a time when every band seems to be “psyching out in their garage”,  The Cool Ghouls' sophisticated sound separates them from being just another band with reverb and a sick record collection. The song centric style of their sophomore release, A Swirling Fire Burning Through The Rye, makes for a great collection of recordings and stellar live performances.  The album flows seamlessly through ten tracks despite the band's three songwriters. The sound is reminiscent of early Grateful Dead, golden-era Creedence and The Velvet Underground, yet is fresh and modern. Recorded live to tape by Sonny Smith of Sonny and Sunsets, the band's live energetic vibe is beautifully captured. After touring the states a few times over and playing their hometown with heavy hitters like Nick Waterhouse and Of Montreal, it's only a matter of time before we see these California dudes make a national television debut.  Be able to say you 'knew them when' and see Cool Ghouls live this Sunday at the Know. Local punk crooners Mope Grooves and Dogheart open the show, fixing for a good time to be had by all. 

M. Rowan 

|

2015 Treefort Music Festival Preview: Portland Artist Highlight

The fourth annual Treefort Music Festival is proving to be the biggest one yet. Not only is it their first year as a licensed LLC, but this year’s lineup is larger than any previous year with over 400 musical acts, not to mention whole mini-festivals dedicated to comedy, performance art, technology, yoga, skateboarding, beer, and then some.

With massive national musical acts headlining the festival like TV On The Radio, Built To Spill, Foxygen, Yacht, Viet Cong, Of Montreal and !!!, just to name a few, the $139 price of a full-weekend pass is pretty much already god damned steal, and that’s barely 1.5% of the full 2015 lineup. Adding to the glory of this year’s festival, the vast array of amazing Portland bands making the trip to Boise makes Portland one of the most represented cities of the festival. Think of it as a huge rager with all your favorite Portland bands and friends, just in a new, way more fun location.

To help you sort through all of the madness, here is a quick list of some of the Deli Portland’s favorite Portland bands who will be performing at this year’s Treefort Music Festival. Find out exactly where and when they will be playing during Treefort, here


Foxy Lemon + Cambrian Explosion to Release Split EP 3.14

Foxy Lemon and Cambrian Explosion, two distinguished bands in the Portland music scene, will release a split Joint EP, on Saturday, March 14th. In support of the release, the two bands headline Kelly's Olympian Saturday night along with Moon By You and Spirit Lake.

What sets Foxy Lemon and Cambrian Explosion apart from other active bands in the Pacific Northwest? They're honest and genuinely alternative. There aren't any hidden motives. Pop lullabies won't sneak around the corner. Though the two share the broad genre in common and indulge in their own specifics, that common thread is evident. Foxy Lemon introduce the split release with four songs that ebb and flow on a high tide. Keishi Ihara's vocals might be clouded by reminders of Jack White and Black Keys, but Ihara projects a certain type of rawness when he sings. This is a good thing. Listen to "Just Because I Can". The song begins and ends with Ihara's isolated strain. Their half of the album isn't the kind of contribution to throw into your music player, plug in head phones and zone out to. These songs are definitely well-suited for a faster drive in and out of town, with that kind of sassy attitude that could get you into trouble.
 
Cambrian Explosion have had an intense career within the local independent scene already. Their three songs on the EP indulge in fuzzy complex guitar melodies and distant and gentle cooing. Though consistently and easily filed under "psychedelia", there's a strange science fiction aspect to their sound that can't be shaken. There's a struggle between the nods to 60s-70s reverb and drug-heavy rock and futuristic noise that spells out definite progression. There's an obvious lasting impression. This split leads the listener to ask, "what's next?"
 
- Colette Pomerleau

 

 

|

|
|

aom
Which of These Local Acts Should Be Our Next Nashville Artist of the Month?



- news for musician and music pros -