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The Harmaleighs
""Pretty Picture, Dirty Brush"
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College pals  Haley Grant and  Kaylee Jasperson bonded over shared musical tastes as students at Belmont University, . They were both also familiar with the hardships possessing the voices of angels; it was inevitable that a musical project would come of the union. The Harmaleighs formed in 2013, and the two proceeded to develop their sound, learning how to filter their shared experiences through an Americana sieve, until every heartbreak and setback sounded as though it occurred decades ago somewhere in the Appalachians.

 

The Harmaleigh's debut album, "Pretty Picture, Dirty Brush" will be released February 3rd. It covers the gauntlet of relationships that a young adult can encounter: partners, friends, hometowns. It also showcases the pair as the crackerjack musicians that they are. The same razor-sharp tightness that makes bluegrass so satisfying to hear is present in the entire album. Everything rings out as clear as a bell, and nothing is overdone or unnecessary. The girls have a healthy respect for the traditional, and can whip out a down-home rhythm as easily as a teenaged missive on heartbreak.  

 

Speaking of teenaged missives, a delicate balance is at work here. There are moments that the pair hit Watson Twin-levels of harmonies (like the ghostly intro of opening track "Hesitate") and there are times they turn right around with something more juvenille like "Got fired for dropping a glass of wine/ screw it I'm running out of time," in their recent single, "I Keep Ticking On." There's alot that can go wrong: their music acoustic guitar driven, with some lap steel and banjo thrown in, and they have a propensity to break into foot-stomping jags that recall the receding arena-folk wave. But it doesn’t matter. They’re so good, by grace of their conviction and clarity, that I’d probably be sucking this album down and singing along even if I were a 50-year-old truck driver.

 

That's the appeal of "Pretty Picture..." The album concentrates being young and new into something potent and delivers it with a little bit of sass; that's a combination capable of crossing quite a few boundaries. It's the emotional equivalent of four seasons of summer camp, thirty friendship bracelets, or ten viewings of "Milo and Otis." This album is bound to strike a chord within the most jaded of bastards. Keep up with The Harmaleighs at their website www.theharmaleighs.com


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Whether you're leaving town in a few days or about to have an unwanted houseful of relatives, take advantage of your f*cked-up holiday schedule by treating Monday like a Friday and taking yourself out to see some music. The East Room has a great lineup for such an off night, consiting of some local faves, up-and-comers, and out-of-towners. Its also budget-friendly at $5. The show starts at 8pm, and is 18+.

Them Vibes:

It's no secret that the Deli Nashville loves Them Vibes, who have always proven capable of bringing some down and dirty rock and roll to any situation, and countering it with some down-home rootsiness. We've been digging the level of quality in their recent video for "Lorelei."

Super Shaker:

We posted about their single "Kong" a few months ago, and then chanced upon them last Wednesday at the Tin Roof, and were blown away. While "Kong" might conjure visoins of some rigid nerd rockers poking at keyboards, Super Shaker kicked our expectations in the face with their high-energy onslaught of gritty, post-punk electronica. These boys can put on a SHOW.

 Slowwriter:

Hailing from Atlanta, GA, Bryan Taylor and a rotating cast of friends operates under the title of Slowriter. He coaxes out interesting loops with a hip-hop sense of direction, and branding them with his particular quirk and earnesty. "King of the Void" is the title track of his recent 2014 release.

December 21, 2014
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Shortly after playing their last show of the year back in Nashville at Mercy Lounge this past Saturday, The Kopecky Family Band announced a name change to a more succinct "Kopecky." We read that as a step of preparation for 2015, a year that is going to see some heavy action for the band, with a sophomore album scheduled for a spring release and no doubt the same level of breakneck touring that the Kopeckys are known for. We got to hear some of the new material at their show, along with their classics and some fantastic openers (Apollo Wild and Austin Manuel.) The night also drove home the sense of community that pervades big-small town of Nashville as the crowd came together for their neighbors. Read on about the show HERE. -Terra James-Jura

 

December 18, 2014
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As mentioned before, here’s a rundown of the acts playing this Thursday night at Exit/In for Sad Spaceman Promotions second showcase, Quioxtic II. We’re mildly involved sponsoring the event along with Kustom Thrills Tattooes and Bluegrass Hollywood Records, and we’re enthused about the lineup. Some Nashville standby’s are playing, along with some veterans of the industry, with a few giveaways and surprises thrown into the mix. Sad Spaceman is accepting donations for local animal rescues, to hop over to www.proverbs1210rescue.org/ after reading about the lineup to check out what to bring. Thursday's show starts at 8pm; tickets are $10 in advance (get 'em here) and $12 at the door, and the show is 21+

Hot Action Cop:

Hot Action Cop have been around for the last decade, with their irreverent pop finding its way into movie franchises and video game soundtracks. Their album “Listen Up!” was released this year, bridging the gap from their 2009 EP. The band is making an appearance in their homebase this Thursday.

The Switchmen:

The Switchmen are the embodiment of Southern rock; greasy, gritty, no questions, no apologies. November 18th saw the release of “Congress Hotel,” a 5-track powerhouse of an EP that shows off the breadth and depth of their songwriting abilities. They’re also recorded a series of live videos from the first Quioxtic showcase at Exit/In back in July, and unveiled the first last week. This video for “I Don’t Know” is a close approximation of what to expect on Thursday, minus the beer in your hand and fist pumping bodies on all sides of ya.

Regulation Nine:

Regulaton Nine represents the heavier side of rock and roll in Nashville. With a little bit of metal and a little bit of thrash, they’ve returned to the live show circuit after a brief hiatus, bringing it the only way they know how: hard.

Asheira:

Alabama-born, Army-raised Nashville transplant Asheira has all the makings of a rock goddess: she’s equal parts swagger and breathy vocals, and already knows that the best backup singer is a mean guitar lick. Check out the video for her brand new single “Sugar” to understand that she is fully capable of cashing every check she writes.

December 15, 2014
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It's been more than a hot minute since Kopecky Family Band has played a local show. They might have touched base with Nashville all of two times this year. However, we entertain the vision of the crew touring hard across the country and having Wes Anderson-esque misadventures along the way, and, well, we can't hold anything against them. We just miss 'em is all. Which is why were excite that KFB is playing their last show of the year back in their hood, and debuting some new material off their upcoming 2015 release. There are also some solid guests joining the night: co-parent of Diarrhea Planet Evan P. Donahue will be opening up the show with his chamber-pop psychedelic mash, as well as Austin Manuel's high lonesome folk. Considering that we're still finding little gems off 2013's "Kids Raising Kids," we're hoping to be overwhelmed at least a few times on Saturday night.  Stay tuned next week for a live review!  -Terra James-Jura

December 11, 2014
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It's no secret that we love Stone Jack Jone's over here at The Deli Nashville headquarters (love, as in "harbor a morbid fascination with the gothic folk microcosm he has painstakingly cultivated.") We're thrilled to hear him announce the March 17th release date of his fourth full-length album "Love and Torture" on Western Vinyl. It's a swift follow-up to this year's "Ancestors," and while we know not to predict any of Mr. Jones' actions, judging by the heft and sharpness of his recent single "Circumstance" and the evolution of his sound from total near chaos to the calculated un-ease of his last album, we're expecting something even more deliberate and terrifying as his music moves closer to the surface of whatever forgotten lake it's been dropped into.  This announcement is not met without a slight hint of trepidation on our part; this music has a way of seeping into our dreams. Check out this video he released in November to promote his fall tour with O'Death and Death Vessel, then watch this mini-doc on the making of "Red Red Rose" to get some more insight on the man. -Terra James-Jura

 

December 11, 2014
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Friendship is a Nashville supergroup comprised of members from The Subnovas, Girls and Money, Creature Comfort, Mesmer Tea and Indiana's Party Lines. We covered their debut spectacle at The East Room back in November, and we have to give mad props to frontman and head instigator Taylor Cole for not only throwing a wild show, but also being one of the most high-energy and hardest working musicians in the Nashville underground. He has a knack for fostering a community spirit in a scene; for example, the first single for Friendship (or, as it's phrased online, the "Friendship Super Magic Art Project") is a cover from a previous collaboration (Children of Spy). The accompanying video to this song is a montage of live and candid footage from several of the bands brought together under the Friendship umbrella. The group will be joining the chaos of the High Watt/Mercy Lounge's New Year's Eve time-traveling costume blowout 15 other bands. More details on the night can be found here. -Terra James-Jura

 

December 11, 2014
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